FocusRite Twintrak Pro
Dual mono/stereo tracking solution and true stereo compressor

Designed principally as an affordable, high-specification dual mono/stereo tracking device, the FocusRite Twintrak Pro also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.  Each channel features FocusRite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience

FocusRite Twintrak Pro Features:
-Two award-winning Class A discrete transistor-based FocusRite pre-amps:  This pre-amp demonstrates the same wide bandwidth
  philosophy featured in the original vintage FocusRite units, ensuring low noise and distortion.
-Mic 'air' and controllable impedance:  TwinTrak Pro pre-amps also feature a wire-wound, inductor-induced ’Air’ function, as well as
  controllable mic input impedance. The 'air' switch enables the pre-amp to recreate the open and airy qualities of more expensive
  transformer-based pre-amps.
-Dual mono/stereo optical compressor:  Featuring custom fast-acting optos, comprehensive controls and true stereo linking to provide
  extremely smooth yet effective control of the signal's dynamics.
-'Pro Series' Latency-free monitoring:  Monitor your source signals within the mix, directly at source, avoiding having to resort to monitoring
  via your DAW or digital desk, both of which may be prone to latency issues.
-24 bit DAC as standard and Optional ADC:  24 bit/192 kHz DAC is fitted as standard, for processing digital signals or feeding digital signals
  into the monitoring path. The optional 24 bit/96kHz A/D can be retro-fitted and both the ADC and the DAC feature wordclock BNC.
-Two Direct Instrument Inputs:  For quick and easy connection without the need for a separate DI box. A High Gain switch provides the
  option to boost the incoming signal by 20dB - ideal for passive guitars.
-Post pre amp inserts and compressor side-chain inserts:  Professional routing options that allow for enhanced processing flexibility. Side-
  chain inserts provide increased control over the compression from an external source to deliver, for example, frequency-conscious
  compression.

Foremost is FocusRite Twintrak Pro's powerful dual mono/stereo optical compressor. This optical compressor features FocusRite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls.

FocusRite Twintrak Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via FocusRite's established stereo A/D converter option.

Together, these facilities make FocusRite Twintrak Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.

FocusRite Twintrak Pro Specifications:
-Mic Input Response
  -Gain range = 0dB to 60dB continuously variable
  -Input impedance = 50 Ohm to 3k3 Ohmcontinuously variable
  -EIN = 128dB measured at 60dB of gain with 150 Ohm terminating impedance and 20Hz/22kHz bandpass filter
  -THD at minimum gain (0dB) = 0.0004% measured with +16dBu input signal and with a 20Hz/22kHz bandpass filter
  -THD at maximum gain (60dB) = 0.003% measured with a 36dBu input signal and with a 20Hz/22kHz bandpass filter
  -THD at maximum input level (26.5dBu) = 0.005% measured with a 20Hz/22kHz bandpass filter
  -Frequency response at minimum gain (0dB) = flat at 10Hz and 2dB down at 200kHz
  -Frequency response at maximum gain (60dB) = 2dB down at 10Hz and 200kHz
  -CMRR at full gain (60dB) = 80dB
-Line Input Response
  -Gain range = -10dB to +10dB continuously variable
  -Input impedance = 10kOhm from 10Hz to 200kHz
  -Noise at main output with gain set to 0dB = -94dBu measured with a 20Hz/22kHz bandpass filter
  -Noise at 10dBV output with gain at 0dB = -100dBu measured with a 20Hz/22kHz bandpass filter
  -Signal to noise ratio relative to max headroom (27dBu) = 121dB
  -Signal to noise ratio relative to 0dBfs (+22dBu) = 116dB
  -THD at unity gain (0dB) = 0.0006% measured with 0dBfs (+22dBu) input signal and with a 20Hz/22kHz bandpass filter
  -Frequency response at unity gain (0dB) = 0.1dB down at 10Hz and 3dB down at 200kHz
-Instrument Input Response
  -Gain range (High Gain switch out) = 0dB to 20dB continuously variable
  -Gain range (High Gain switch in) = 20dB to 40dB continuously variable
  -Input Impedance = > 1MOhm
  -Noise at minimum gain (0dB) = -90dBu measured with a 20Hz/22kHz bandpass filter
  -Noise at maximum gain (40dB) = -78dBu measured with a 20Hz/22kHz bandpass filter
  -THD at minimum gain (0dB) = 0.006% measured with 10dBu input signal and with a 20Hz/22kHz bandpass filter
  -Frequency response at unity gain (0dB) = 0.5dB down at 10Hz and 1dB down at 200kHz
  -Frequency response at maximum gain (40dB) = 6dB down at 10Hz and 1dB down at 200kHz
-Input Meter
  -6 LED peak reading meter is calibrated relative to 0dBfs where 0dBfs = +22dBu (the maximum level which can be correctly converted by
    the optional internal A/D converter before overload occurs). The meter calibration points are as follows:
-Meter panel calibration value: Equivalent dBu value
  - 0dBFS: +22dBu (the maximum level the ADC can convert before digital distortion occurs)
  - -6dBFS: +16dBu
  - -12dBFS: +10dBu
  - -18dBFS: +4dBu (the normal signal level in an analogue system to allow headroom for additional processing such as EQ)
  - -24dBFS: -2dBu
  - -42dBFS: -20dBu
-Channel Insert
  -Unbalanced input and output on balanced (TRS) socket as follows:
    -Tip = Send (Output)
    -Ring = Return (Input)
  -Signal level equivalent to 6dB below normal operating level.
-High Pass Filter
  -Roll off = 12dB per octave 2-pole filter
  -Cut off frequency:
    -3dB at 120Hz
    -6dB at 85Hz
    -12dB at 56Hz
-Optical Compressor
  -Threshold hold range = -12dBFS (10 dBu) to -42dBFS (-20dBu)
  -Compressor ratio (Hard Ratio switch out) = 2.5:1
  -Compressor ratio (Hard Ratio switch in) = 6:1
  -Attack time (Slow Attack switch out) = 0.5ms.
  -Attack time (Slow Attack switch in) = 5ms.
  -Release time = 100ms to 1s and then auto release mode when the release knob is turned fully clockwise. Auto release creates a release
    time dependent upon the average level of the incoming signal
  -Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
  -Makeup gain = 0 to +21 dB
-Compressor Sidechain Insert
  -Can be used to input an independent signal to trigger compression or to allow the sidechain audio to be sent in and out of the unit via an
    external processor, such as an EQ for frequency conscious compression and de-essing of vocals
  -Connector is an unbalanced input and output on balanced (TRS) socket as follows:-
    -Tip = Send (Output)
    -Ring = Return (Input)
  -Signal level equivalent to 6 dB below normal operating level
-Mid Scoop EQ
  -EQ shape = Peak
  -Centre frequency = Variable between 120Hz and 2kHz
  -Cut (Deep switch out) = -6dB
  -Cut (Deep switch in) = -12dB
  -Q (Deep switch out) = 1.5
  -Q (Deep switch in) = 3
-FX Send
  -Unbalanced output, signal level equivalent to 6dB below normal operating level
  -Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
  -Maximum output signal level = +20dBu
-FX Return
  -Balanced input
  -Operating level = +4dBu
-Headphones Mix
  -Unbalanced output, signal level equivalent to 6dB below normal operating level
  -Noise = -94dBu measured with a 20Hz/22kHz bandpass filter
  -Maximum output signal level = +20dBu
-Monitor Input
  -Balanced input
  -Operating level = +4dBu
-Monitor Output
  -Balanced output
  -Operating level = +4dBu
  -Noise = -98dBu measured with a 20Hz/22kHz bandpass filter and monitor level knob at maximum output level (fully clockwise)
  -Maximum output signal level = +26dBu
-DAC Performance
  -Playback sample frequency = 32kHz to 192kHz.
  -Maximum bit depth = 24-bit
  -Maximum analogue output level = +21dBu.
  -Dynamic Range = 111dB measured with A weighted filter.
  -Wordclock BNC connector outputs a regenerated wordclock at the sample frequency contained within the SPDIF signal connected to the
    RCA connector
-Output Meter
  -Calibrated for 0dBFS = +22dBu and indicates the level after the output fader being sent to both the internal AD converter and the
    TwinTrak Pro XLR output
  -O/L LED is lit when any section of the unit (including the headphone output) reaches a level greater than 0dBFS (O/L: LED triggered at
    +22.4dBu)
-Dimensions
  -484mm (W) x 85mm (H) x 180mm (D)
  -19" (W) x 3.5" (H) x 9.3" (D)