Waves TDM GTR3 Virtual Guitar Amps and Effects
TDM Guitar Tool Rack Software and PRS Guitar Interface

With 25 custom guitar amps including 6 Neil Citron models, Waves GTR3 Virtual Guitar Amps and Effects is a virtual powerhouse. Just plug it in, crank it up, and turn your computer into a stack of hand-picked, world-class amps. From Fender to Marshall, Mesa/Boogie to Vox, and more, Waves has captured the world’s hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your computer. And with GTR3’s host-free Standalone ToolRack, all you need to do is plug in…and play.

Waves GTR3 Virtual Guitar Amps and Effects Features:
-25 Guitar Amps
-7 Bass Amps
-29 Cabs
-26 Stomps
-Multiple Mics and Mic Settings
-Custom Hardware Interface
-Realistic Dynamic Response
-Expert Presets and FX Chains
-Sync-to-Host BPM Effects
-Drag-and-Drop Simplicity
-Real-Time MIDI Control
-Standalone or DAW Ready

With 6 modeled amps (Carvin, Ibanez, and more) plus 7 cabs from Grammy-winning guitar expert Neil Citron (Steve Vai, Steve Lukather, Larry Carlton), Waves GTR3 Virtual Guitar Amps and Effects is literally exploding with sound.  GTR3 lets you cut loose with the most mind-blowing guitar tones imaginable.

Waves GTR3 Virtual Guitar Amps and Effects Amps and Cabinets List:
-Neil Citron Amps
  -Legatron Clean Based on a customized Carvin Legacy
  -Legatron Crunch Based on a customized Carvin Legacy
  -Thermitron Clean Based on an Ibanez TN120 Thermion
  -Thermitron Crunch Based on an Ibanez TN120 Thermion
  -Plexitron Lite Based on a modified 60s 100W Marshall Plexi
  -Plexitron Crunch Based on a modified 60s 100W Marshall Plexi 
-Clean Amps
  -Direct Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.
  -Clean Based on a 1959 tweed Fender Bassman, smooth and warm, with shimmering highs and luscious overtones.
  -Sweet Modeled on a 1968 Gibson Skylark, this small tube amp delivers a clear sound with a clean bite.
  -Punchy Based on the stack master, a 100W Marshall head, for a clean rhythm tone.
  -Warm An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection. 
-Drive Amps
  -Edgy Inspired by a 1980 Vox AC-30 TB-2, for a big, rich sound with more than just a touch of attitude.
  -Cream Based on a 1966 Ampeg Gemini II, with bright, detailed tone and a unique low frequency bloom.
  -Drive Modeled on a 1964 blackface Fender Super Reverb, this is the go-to amp for bluesy growl, fat saturated sounds, and everything
    in between.
  -Overdrive Based on a 1980 Marshall JMP, this is the heavy rock sound in all its glory.
  -Scream Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones. 
-High Gain Amps 
  -Crush Inspired by a modified Marshall MK2 50W stack head, this is a hardwired gain machine.
  -Monster Modeled on a Marshall 100W Stack set at full gain for unique undertones.
  -Inferno A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal.
  -Shredder Based on a Marshall JMP1 preamp, this blazing metal tube tone is your license to shred.
  -Scorch Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords.
  -Supernatural Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic
    woman.
  -Hot Inspired by a Koch Combo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos.
  -Crunch Based on a custom Garcia from Paul Reed Smith’s personal collection, tailor-made for sizzling lead lines and heavy sustained walls
    of grunge.
  -Modern Modeled on a Mesa Dual Rectifier Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords. 
-23 Custom Guitar Cabinets:   Play through two cabs. Record with two different mics. Flip the phase.  With a huge range of speaker
  cabinets and perfectly matched mics, GTR3 gives you the power to mix and match equipment with unprecedented ease.
  -4 x 12” Standard Modeled on Marshall 1960a
  -4 x 12” Vintage Based on Marshall 1960ax with G12 Greenbacks
  -4 x 12” Britt Inspired by Orange PPC412 Celestion Vintage30
  -4 x 12” Inferno Modeled on a custom cabinet
  -2 x 12” ClosedBack Modeled on Marshall 1936 cabinet with G12 Greenback Celestions
  -2 x 12” OpenBack Based on Vox AC-30 Celestion Alnico Blue
  -4 x 10” OpenBack Inspired by on Fender Super Reverb Blackface 1968, CTS alnico magnet speakers
  -12” OpenBack Modeled on Mesa/Boogie Mark IV, Electro-Voice speaker
  -15” ClosedBack Based on Fender Showman Cabinet 1960’s
  -Acme 12” Custom Modeled on a custom cabinet by Ted Jensen of Sterling Sound
  -Acme 2 x 10” Cabinet Modeled on a 1962 Vox cabinet
  -Acme 8” OpenBack Based on a 1968 Gibson Skylark
  -Acme 4 x 12” Cab Inspired by 1970’s HiWatt
  -Acme 12” OpenBack Based on mid 60's Ampeg Gemini
  -Acme 2 x 10” OpenBack Based on 1965 Fender Vibrolux Reverb Blackface
  -Acme Case Speaker Modeled on late 60’s Silvertone – Danelectro/Sears
  -Electron 2 x 12" Clean Based on a Carvin Legacy C212E with Electro-Voice speakers
  -Electron 2 x 12" Crunch Based on a Carvin Legacy C212E with Electro-Voice speakers
  -Celestron 2 12" Clean Based on a Carvin Legacy C212E with Celestion 30W speakers
  -Celestron 2 12" Crunch Based on a Carvin Legacy C212E with Celestion 30W speakers
  -Electron 4 x 12" Based on a straight cabinet with Electro-Voice speakers
  -Celestron 4 x 12" Based on a straight cabinet with Celestion speakers
  -Celestron 4 x 12" Vintage Based on a straight cabinet with Celestion speakers
-14 Top Studio Mics
  -GTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA,
    Royer, and more

Waves/PRS Guitar Interface Specifications:
-Dimensions 
  -Length: 11.5 cm • Width: 9.5 cm • Height: 4.3 cm • Weight: 356 gr
-TRS Input 
  -Input impedance: >1 Mega Ohm unbalanced
  -Max input level: 1.1 VRMS.
  -Power saving switch: Automatic shut down when input jack is not connected 
-Balanced XLR Input 
  -All measurements were performed with volume at a nominal setting.
  -Output impedance: 50 ohm
  -S/N: >105 @ line level, (S measured at 1%, 1 Khz, A-weighted)
  -Response: 20-20Khz, -3dB @11Khz, -5dB @ 20Khz
  -THD+N: <0.005 (< -90dB) @ -10dB below max sensitivity level
  -Sensitivity: 1.1Vrms @ line level, 2.5 Vrms @ mic Level
  -Gain: 11dB @ line level, -28dB @ mic level. ±1.5dB
  -Volume range: +5dB, -10dB refer to nominal setting
  -Output short circuit protection: Ground lift switch
  -Power: Two 9V Batteries, 12-18V DC, 0.5A minimum
-Unbalanced PL Jack Output 
  -All measurements were performed with volume at a nominal TD setting.
  -Output impedance: 50 ohm
  -Output impedance: 100 ohms
  -S/N: >105 @ line level, (S measured at 1%, 1 Khz, A Weighted)
  -Response: 20-20Khz, -3dB @11Khz, -5dB @ 20Khz
  -THD+N: <0.005 (< -90dB) @ -10dB below max sensitivity level

Waves GTR3 Virtual Guitar Amps and Effects System Requirements:
-PC
  -Processor Intel Pentium 4 2.8GHz / AMD Athlon 64 or equivalent
  -RAM 1 GB on XP, 2 GB on Vista
  -Operating System WinXP 32-bit SP2/ SP3, Vista Business 32-bit SP1, Vista Ultimate 32-bit SP1
  -Screen Resolution 1024x768 32-bit
-Mac
  -Processor G5 Dual 2Ghz
  -RAM 1 GB
  -Operating System 10.4.11 - 10.5.6
  -Screen Resolution 1024x768
-Intel-based Mac
  -Processor Core Duo 1.83Ghz
  -RAM 1 GB
  -Operating System 10.4.11 - 10.5.6
  -Screen Resolution 1024x768