Algorithmix Easy reNOVAtor Digital Audio Editor
Algorithmix Easy reNOVAtor Digital Audio Editor removes unwanted audio incidents and replaces the vacancy with re-synthesized audio, intelligently created from surrounding context without affecting original audio in an audible manner.
The whole process is high-resolution and linear-phase, thus extremely transparent.
Try to remove a feedback whistle occurring during a gentle violin ensemble part, without noticeably leaving traces of the edit with all the normal tools and techniques on your disposal. It ain't easy! With Algorithmix Easy reNOVAtor Digital Audio Editor, it takes a few seconds and the result is jaw dropping.
What is it?
Denoising techniques work well for stationary or quasi-stationary broadband noise. Short clicks coming from old records or switching noise can be successfully removed and replaced by declicker plug-in. However, neither a denoiser nor a declicker can successfully cope with longer complex audio disturbances, especially if they overlap material we want to recover. This fact has motivated us to develop a special tool, Algorithmix reNOVAtor Digital Audio Editor and later its brother, Algorithmix easyNOVA Digital Audio Editor, especially optimized for time-effective workflow.
Algorithmix Easy reNOVAtor Digital Audio Editor is intended to rescue high-resolution live or location recordings from extraneous sounds and unwanted audio disturbances. Often, from the performance point of view, brilliant live recordings can not be accepted for CD release, because of disturbing noises like coughs, squeaky chairs, feedback squeals, horn of a passing truck, a bell from the neighboring tower, or ring tones from a cellular phone. Such disturbances are especially critical if they occur in quiet passages when recording classical music. Similarly, location recordings film, broadcast or TV often include annoying incidents which disqualify them to be used as originally intended. In these cases any kind of traditional equalization or editing methods is very time consuming and causes audible discontinuities in desired signal and ambience. Often after hours of hard work even the best post-pro engineer will capitulate.
How does it work?
Algorithmix Easy reNOVAtor Digital Audio Editor helps when all other editing tricks and processing methods fail. It allows localization, identification and very precise removal of unwanted audio events mostly without audibly affecting the audio material we want to keep. The removed sound is replaced by a signal re-synthesized from the surrounding material. Unlike time editing methods, Algorithmix Easy reNOVAtor Digital Audio Editor does not make deep gaps in the sound track when eradicating a disturbing sound event. Rather, it's an exactly tailored hole in the spectral representation of the processed signal that can be removed and replaced.
Algorithmix Easy reNOVAtor Digital Audio Editor or Algorithmix reNOVAtor Digital Audio Editor?
Algorithmix Easy reNOVAtor Digital Audio Editor is optimized for very time-effective workflow and therefore equipped with well prepared preset-like controls. It's ideal for post-pro broadcast, TV and film engineers working under extreme time pressure. When you deal with extremely tenacious disturbances or you just want to broaden your abilities and increase performance in cleaning audio material do upgrade to Algorithmix reNOVAtor Digital Audio Editor that features extended manual parameter setup and some additional advanced functions.
Algorithmix Easy reNOVAtor Digital Audio Editor Features:
-flawless operation with up to 384 kHz sampling rate, thus perfectly suitable for DSD post-production including cleaning
in the ultrasonic range
-extraordinary sonic results compared to any other cleaning method, due to selective treatment of spectral
-representation of the signal and not its waveform
-audio fixes that were basically impossible until now
-enormous time saving in repairing critical live recordings
-easy-to-learn identification and localization of unwanted audio events
-well prepared preset-like controls for very time-effective workflow
-efficient removal of unwanted disturbances and their replacement by signals re-synthesized from the surrounding
audio material
-all processing functions in linear-phase domain to prevent unwanted sound coloration
-no audible changes in desired signal and ambience after removal of typical discrete audio disturbances
-two different kinds of spectrum re-synthesis
-extended resolution for low frequencies
-resizable and zoomable spectrogram window for sound repairing with surgical precision
-audition of any marked area before and after processing
-multiple undo functions
-numerous shortcut functions for quicker workflow
-AlgoEditTM, an easy-to-use audio editor included
-difference function when using AlgoEditTM; your hear what you've removed
-all internal calculations in double floating-point accuracy (80 bits)
System Requirements
The system requirements are highly dependent on the amount of data to be treated and the window size used.
Supported Systems
Pyramix Virtual Studio 4.1-6.x
WaveLab 5.01b - 6
ProTools HD, Mix, LE 6.0 for PC and MAC OSX
Sequoia DAW 7.0 - 9.x
Soundscape 16/32, R.Ed
Minimum configuration
(standard 600x400 window and a 20 second sample)
Windows 9x/Me/NT4/2000/XP Home or Professional
Pentium II 500 MHz
64 MB RAM
1024x768 pixels resolution with true color (24bit or 32bit)
Pyramix 4.1 or above, WaveLab 5.01b or above, ProTools HD, Mix, LE 6.0 running on Windows 2000/XP, Soundscape 16/32 or R.Ed
USB port for WIBU hardware dongle
Recommended configuration
(for larger resolutions and longer selections)
Windows 2000/XP Home or Professional
Pentium IV or AMD Athlon XP with at least 1.5 GHz
512 MB
1280x1024 pixels resolution with true color (32bit is usually fastest)
Pyramix 4.1 or above, WaveLab 5.01b or above, ProTools HD, Mix, LE 6.0 running on Windows 2000/XP, Soundscape 16/32 or R.Ed
USB port for WIBU hardware dongle
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