Academic Waves Native Power Pack Bundle

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With everything from reverb, delay, and equalization to compression, limiting, and level maximization, the Waves Native Power Pack Bundle is a perfect introduction to the Waves experience. Whether you are just getting started or you are expanding your production palette, NPP gives you the power. 

True Verb
Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

Features:
-Thru and Send modes
-Independent and Linked distance and reverb modes
-Time and Frequency Response graphic interface
-Up to 24bit, 96kHz resolution
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible
 
Controls
-Decorrelation
  -Early Reflection Variation 0 to Variation 6
  -Reverb variations 0 and 1
-Dimension 1.00 to 3.99
-Room Size 50m3 to 20,000m3
-Distance 0.5m to 40m
-Link Links the Reverb, Room Size and Pre-delay parameters
-Balance -48dB to +12dB
-Decay Time 0.2s to 100s
-Pre-delay 10.5ms to 160ms
-Density 0.000 to 1.000
-Room-Size/Distance Markers Graphic control over Size and Distance
-ER Low Cut 16Hz to 512Hz
-ER Low Cut Bypass
-Reverb High Shelf -12dB to 0dB
-ER Absorb -6dB to 0dB
-Frequency 1,600Hz to 21,000Hz
-Reverb Damping
  -Low 16Hz to 1,600Hz
  -Low Ratio 0.10 to 2.00
  -High 1,600Hz to 21,000Hz
  -High Ratio 0.10 to 2.00
  -Frequency Band Marker Graphic control over Frequency and Gain per band
-Input Gain -inf. to 0dB
-Output Mix
  -Direct -24dB to 0dB with On/Off switch
  -Early Reflections -24dB to 0dB with On/Off switch
  -Reverb -24dB to 0dB with On/Off switch
-Output Meter -24dB to 0dB with peak hold and clip indicator

L1 Ultramaximizer
The plug-in that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

Features:
-2 Plug-in Components: L1 Ultramaximizer and L1 Ultramaximizer+
-IDR Increased Digital Resolution dither with noise shaping filter
-Double precision bit resolution processing
-Up to 24bit 192kHz resolution
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Input Gain Faders -20dB to 0dB
-Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
-Output Meter -30dB to 0dB with an integrated
-Output Ceiling control, Peak Hold indicators
-Link Links Threshold and Output Ceiling
-Release 0.01ms to 1,000ms
-Attenuation Meter 0dB to 30dB with peak hold indicator
-IDR Controls
  -Quantize None, 24, 20, 16, 12 or 8bit
  -Dither Type 1, 2 or none
  -Shaping Moderate, Normal, Ultra or None
-Domain Analog or Digital

Q10 Paragraphic Equalizer 
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

Features:
-7 Plug-in Components 1, 2, 3, 4, 6, 8 and 10 bands
-Separate or Linked processing and parameter control
-Advanced noise-shaping for optimum fidelity
-Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
-Crossovers, Hum Removal, and More
-Up to 24bit 192kHz resolution
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Input Gain Fader -24dB to 0dB
-Input Phase Invert +/-
-On/Off Switch per band
-Filter Type Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
-Gain -18dB to +18dB per band
-Frequency 16Hz to 21,357Hz per band
-Q 0.5 to 100 per band
-Frequency Band Markers Graphic control over Frequency and Gain per band
-Output Gain Fader -24dB to +12dB
-Trim Output gain adjustment
-Output Meter -30dB to 0dB with peak hold and clip indicators
-Control Mode Link Left + Right, Left Only, Right Only

C1 Parametric Compander
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

Features:
-3 Plug-in Modules: Compressor/Expander, Gate/Expander, Filter/EQ
-Split-band dynamics
-Internal side-chaining
-External side-chaining (Pro Tools only)
-Look-ahead feature for precision transient processing
-Up to 24bit 192kHz resolution (Compressor and Gate only)
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Compressor/Expander
  -Bypass Enables or disables the module
  -LowRef Mode Low Level Reference Conventional compressor operating mode
  -PeakRef Mode Peak Level Reference Preserves peak levels (auto makeup gain)
  -Make-up Gain -40dB to +40dB
  -Threshold -100dB to 0dB
  -Ratio 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
  -Cancellation Mode -50:1 to -5:1 to cancel out very loud signals
  -Attack 0.01ms to 1,000ms
  -Release 1ms to 10,000ms
  -PDR Program Dependant Release
  -EQ Mode Wideband, Sidechain or Split
  -Gain Reduction Meter -36dB to +24dB
  -Control Level Meter -100dB to 0dB
-Gate/Expander
  -Bypass Enables or disables the module
  -Gate/Expander Control Switches between Gate and Expander modes
  -Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
  -Gate Thresholds Gate Open and Gate Close
  -Attack 0.01ms to 1,000ms
  -Release 1ms to 10,000ms
  -Hold 0.01ms to 5,000ms
  -EQ Mode Wideband, Sidechain or Split
  -Gain Reduction Meter -108dB to +12dB
  -Control Level Meter -100dB to 0dB
-Parameter Linking Links the Compressor/Expander and Gate/Expander controls
-Filter/EQ
  -Two Complementary Bands Active/Sidechain path, and passive path
  -Crossover Slope 18dB/octave to 36dB/octave
  -Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
  -Frequency 16Hz to 21Khz
  -Q 0.1 to 0.6
-Lookahead Yes/No
-Key Mode Stereo, Left keys Right, Right keys Left
-Monitor Audio, Sidechain or Passive
-Output Gain Fader -40dB to +18dB
-Output Meter -30dB to 0dB with peak hold and clip indicators

IR-L Convolution Reverb
When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

Features:
-RT60 extends reverb time up to four times while preserving natural
-envelope and frequency content
-Over 100 Impulse Responses
-Upgradeable to IR1 or IR360
-Double precision bit resolution processing
-Up to 24bit 96kHz resolution
-Mono, Mono-to-Stereo and Stereo components
-Supports RTAS, Audio Suite, VST, AU.
-PC and Mac compatible

Controls
-CPU Mode Full CPU or Low CPU
-IR Graph
  -Gain and Time -90dB to 0dB, 0s to 10s
  -Zoom In and out on the time axis
  -Zoom Reset Defaults to 6s display
-Reverb Time Section
  -Convolution Start 0s to 1s
  -Convolution Length 0s to 6s
  -RT60 Indicator 0.1s to 10s
  -Ratio 0.25 to 1.00
-Latency Shows the current latency in ms
-Dry 0ms to 30ms delay of the dry signal
-Dry/Wet 0% to 100%
-Crosstalk 0 to 100 (IR-L Efficient module only)
-Direct On/Off
-Direct Pre-delay 0ms to 500ms
-Output Gain Fader -50dB to 0dB
-Output Meter -30dB to 0dB with peak hold and clip indicators

SuperTap
Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

Features:2-Tap and 6-Tap components
-Tap-Pad for tempo tapping or pattern switching
-Global LFO modulation and 2 feedback modes
-Spatial positioning vector display
-Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
-Mono, Mono-to-Stereo and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Tempo
  -BPM 40BPM to 1200BPM
  -MS 50ms to 1,500ms
  -Tap Pad Manual Tap input
  -Tap Pad Mode Tempo or Pattern
  -Sync Auto or Manual
-Modulation
  -On/Off Switch
  -Sync Manual or Tempo
  -Rate 0Hz to 20Hz
  -Depth 0ms to 10ms
-On/Off Switch for Direct Signal, Taps and Feedback
-Direct Signal Gain -42dB to 0dB
-Tap Gain -48dB to 0dB
-Feedback Amount 0% to 100%
-Rotate -45 to +45 of Direct Signal, Taps and Feedback
-Taps and Feedback Delay Sliders 0ms to 5,944ms or by Tempo Grid
-Feedback Mode Normal or Tap
-Snap On/Off snap to grid
-Grid resolution Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths
-Grid Mode BPM or ms
-EQ
  -On/Off Switch per Taps and Feedback
  -Tap Filter Type Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
  -Feedback Filter Type include Low Pass, Low Shelf and Low Decay
  -Frequency 0.1kHz to 20kHz per Taps and Feedback
  -Gain -12dB to +12dB for Taps; -12dB to 0dB for Feedback
-Output Gain Fader -12dB to +12dB
-Output Meter -30dB to 0dB with peak hold and clip indicators

Doubler
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

Features:
-2 Plug-in Components: Two-Voice and Four-Voice
-Up to 24bit 192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
-Mono, Mono-to-Stereo and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Gain -48dB to 0dB per voice and for the direct signal
-Pan -45 to +45 per voice and for the direct signal
-Align Delays the direct signal according to the latency of the voices
-FB High Pass Filter 16Hz to 21,357Hz
-Range 20Hz or 80Hz detune frequency boundary
-Modulation Reset Resets Rate and Depth values
-Delay 0ms to 100ms per voice
-Feedback 0% to 100% per voice
-Octave On/Off (Shifts the voice one octave down)
-Detune -100 to +100 cent
-Depth -200 to +200 cent
-Rate 0.1Hz to 400H
-Low Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
-High Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
-Output Gain Fader -24dB to 0dB
-Output Meters -30dB to 0dB, with peak hold and clip indicators
-In 1 - 3 L, L+R, L-R. Input signal for voices 1 and 3
-In 2 - 4 R, R+L, R-L. Input signal for voices 2 and 4

DeEsser 
When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

Features:
-Sharp side-chain filters
-Wide-band or Split compression modes
-Audio or Sidechain monitoring
-Up to 24bit 192kHz resolution
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible
 
Controls
-Audio Split or Wideband modes
-Frequency 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
-Sidechain Filter Type High Pass or Band Pass
-Monitor Audio or Sidechain
-Threshold -80dB to 0dB integrated with the Input Energy Meter
-Attenuation Meter -30dB to 0dB with peak hold indicator
-Output Meter -30dB to 0dB with peak hold indicator

S1 Stereo Imager
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

Features:
-3 Components: Shuffler, Imager, and MS Matrix
-Left/Right and MS io modes and metering
-Double precision bit resolution processing
-Up to 24bit 192kHz resolution
-Mono-to-Stereo and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Gain -24dB to 0dB
-Width 0.0 to 3.0
-Shuffle 1.0 to 3.0
-Frequency 350Hz to 1400Hz
-Input Mode M/S or L/R
-Left/Right Phase +/-
-Input Channel Swap
-Bass Trim -3dB to +3dB
-Asymmetry -90 to +90
-Rotation -45 to +45
-Output Mode MS or L/R
-Output Meter -24dB to 0dB with peak hold and clip indicators
-Stereo Image Graph Graphic control over all image parameters

Renaissance Axx
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

Features:
-Streamlined 3 parameter control
-Ideal for guitar and bass
-Double precision bit resolution processing
-Up to 24bit 192kHz resolution
-Mono and Stereo components
-Supports TDM, RTAS, Audio Suite, VST, AU
-PC and Mac compatible

Controls
-Threshold -60dB to 0dB
-Input Meter -60dB to 0dB
-Attack 0ms to 50ms
-Attenuation Meter 0dB to -30dB
-Output Gain Fader -30dB to 0dB
-Clip-Guard Output Limiter
-Output Meter -60dB to 0dB with peak hold and clip indicators

Waves Native Power Pack Bundle Minimum System Requirements:
PC
-WinXP 32-bit SP2 & SP3, Vista Business 32-bit SP1, Vista Ultimate 32-bit SP1, Windows 7
-Intel Pentium 4 2.8GHz / AMD Athlon 64 or equivalent
-RAM 1 GB on XP, 2 GB on Vista/7
-Screen Resolution 1024x768 32-bit

Mac PPC
-OS-X 10.4.11 - 10.5.x
-G5 Dual 2Ghz
-1 GB RAM
-Screen Resolution 1024x768

Intel-based Mac
-OS-X 10.4.11 - 10.6.2
-Core Duo 1.83Ghz
-1 GB RAM
-Screen Resolution 1024x768

Waves Native Power Pack Bundle Sample Rate Support
-L1 192 kHz
-C1 Comp, C1 Gate 192 kHz
-C1 comp-gate, C1 comp-sc 96 kHz
-S1 Stereo Imager 192 kHz
-Q10 Equalizer 192 kHz
-TrueVerb 96 kHz
-SuperTap (2-tap) 192 kHz
-DeEsser 192 kHz
-Renaissance Axx 192 kHz
-IR-L Convolution Reverb 96 kHz
-Doubler 192 kHz